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This is from a Creative Director at Lucasfilm:
<blockquote class="twitter-tweet"><p lang="en" dir="ltr">For the record, Chapter 10 of <a href="https://twitter.com/hashtag/TheMandalorian?src=hash&ref_src=twsrc%5Etfw">#TheMandalorian</a> makes it clear that the Frog Lady’s eggs are unfertilized, like the chicken eggs many of us enjoy. But obviously, chickens aren’t sentient beings and the Child eating the eggs is intentionally disturbing, for comedic effect.<a href="https://twitter.com/hashtag/StarWars?src=hash&ref_src=twsrc%5Etfw">#StarWars</a> <a href="https://t.co/Js51fLpE3C">https://t.co/Js51fLpE3C</a></p>— Phil Szostak (@PhilSzostak) <a href="https://twitter.com/PhilSzostak/status/1325913062826651648?ref_src=twsrc%5Etfw">November 9, 2020</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script> |
Ralph McQuarrie's genius lives on...
<blockquote class="twitter-tweet"><p lang="en" dir="ltr">Initially sketched in February 1979 for <a href="https://twitter.com/hashtag/TheEmpireStrikesBack?src=hash&ref_src=twsrc%5Etfw">#TheEmpireStrikesBack</a>, Ralph McQuarrie completed his “bog planet tree creature” painting in 1993 for The Illustrated <a href="https://twitter.com/hashtag/StarWars?src=hash&ref_src=twsrc%5Etfw">#StarWars</a> Universe, later inspiring both the krykna for <a href="https://twitter.com/hashtag/StarWarsRebels?src=hash&ref_src=twsrc%5Etfw">#StarWarsRebels</a> and the spiders for Chapter 10 of <a href="https://twitter.com/hashtag/TheMandalorian?src=hash&ref_src=twsrc%5Etfw">#TheMandalorian</a>. <a href="https://t.co/EfF3O4RnhX">pic.twitter.com/EfF3O4RnhX</a></p>— Phil Szostak (@PhilSzostak) <a href="https://twitter.com/PhilSzostak/status/1325853597414772736?ref_src=twsrc%5Etfw">November 9, 2020</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script> |
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It wasn't humorous at all, and a big whiff on the writers end especially after they humanized Frog Lady |
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Spoiler!
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<blockquote class="twitter-tweet"><p lang="en" dir="ltr"><a href="https://twitter.com/hashtag/Mandalorian?src=hash&ref_src=twsrc%5Etfw">#Mandalorian</a> Season 2, Episode 4 Is Directed By Carl Weathers <a href="https://t.co/0R46yBfkNO">https://t.co/0R46yBfkNO</a> <a href="https://t.co/CjKBdB7Edn">pic.twitter.com/CjKBdB7Edn</a></p>— Screen Rant (@screenrant) <a href="https://twitter.com/screenrant/status/1325985195321946114?ref_src=twsrc%5Etfw">November 10, 2020</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
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I didn't see any "humor" at all in that episode, especially given that it was stated repeatedly that this would be the final offspring of her life cycle. |
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I didn't dig it, but it got a chuckle out of her. I don't know, I'm with you, but I'm open to the possibility that I'm in the minority. |
I think you guys are getting way too worked up over this.
I mean, who doesn’t like eggs? :D |
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I kid you not, when I saw BY approach the eggs and put his hands on the container, I was saying to myself "Don't do it, don't do it, please don't do it", then he did it. I wouldn't have any issue had they not been sentient life forms but I have to say, it really turned me off. |
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Shooting on location is a bitch, which is why Sound Stages exist. Otherwise, the production company would need to hire Location Scouts, pull permits, pay for travel, cartage, lodging and food for a huge crew of people, hope that the lighting is right for the shoot, then further enhance the shots with VFX. The Volume is the future because it allows the actors to actually feel as if they're on location because their surrounding are constantly changing as the actors move. And while it's certainly not cheap, 6+ hours of Star Wars for $150 million is an absolute bargain. |
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