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The streaming companies only payout approximately 20% of their revenues, whereas the PRO's here and abroad payout over 97% of money collected. Big difference. |
Led Zeplin IV :shake:
Geez it's like no one ever heard of this band before 1995. |
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...gonna listen to III ! |
<a href="http://s1260.photobucket.com/user/KCTattoo58/media/Pawn-Stars-Rich_240_zpsnomu1u2n.jpg.html" target="_blank"><img src="http://i1260.photobucket.com/albums/ii574/KCTattoo58/Pawn-Stars-Rich_240_zpsnomu1u2n.jpg" border="0" alt=" photo Pawn-Stars-Rich_240_zpsnomu1u2n.jpg"/></a>
Before I make a lowball offer I got a buddy to tell me what Stairway to Heaven is actually worth but I'm going well under market value anyways. |
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They end up on my iPhone, on a USB stick in my car and I import them into music projects as comps when mixing. Plus, I feel somewhat obligated to purchase music I enjoy, especially when the albums are $6.99, $7.99 and $8.99. |
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https://itunes.apple.com/us/app/spot...324684580?mt=8 |
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Do you SoundHound? |
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Hmm. I'll look into that. But I need to get my songs offline since I don't run with anything that has access. How does that work? |
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This may or may not be surprising but after working on music 8 hours a day or more, I prefer silence when driving, hiking or biking. I resisted Spotify for a long time due to their low royalty payments but I have to admit, I really enjoy it from time to time. The most exciting aspect is reading books about how old records and hit songs from the 50's, 60's and 70's were made, then listening to them in my studio with critical ears towards the recording an production. I also enjoy listening to the old jazzers like Tal Farlow, Barney Kessell, Herb Ellis, Howard Roberts and Kenny Burrell. |
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Cool on the history. Jazz is something to which I've not been overly expulsion exposed though I'm big into Blues. Did you view Vinyl? |
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